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← Albert Bierstadt Albert Bierstadt — Hunter on Lake Nipissing; Lake Near Sudbury (from Sketchbook)

Hunter on Lake Nipissing; Lake Near Sudbury (from Sketchbook)

Original title: Hunter on Lake Nipissing; Lake Near Sudbury (from Sketchbook)

Artist
Albert Bierstadt
Date
1890
Medium
Graphite on wove paper
Dimensions
4 3/4 x 7 3/4 in. (12.1 x 19.7 cm)
Credit line
Bequest of Marguerite H. Rohlfs, 1995

kurzbeschreibung

A hunter stands at the water's edge, gun in hand, eyes fixed on the lake — captured in a graphite drawing by Albert Bierstadt from 1890. Whether the scene was made at Lake Nipissing or near Sudbury cannot be determined with certainty; both are associated with the sheet. It comes from a sketchbook, measures 4 3/4 x 7 3/4 inches (12.1 x 19.7 cm), and is executed in graphite on wove paper. What is recorded here is an observation made directly from nature.

Description

In the foreground, a standing figure holds a gun and turns toward the water. Behind him, trees and another stretch of water suggest the landscape's further extent. The arrangement remains simple and clear: the hunter's figure and the expanse of the lake carry the view. Graphite in varying tones and delicate hatching create a calm, natural mood. The drawing stays wholly faithful to reality, without embellishment.

Context

The sketch was made in 1890, during a late phase of Bierstadt's career when he repeatedly ventured into the Canadian wilderness. Lake Nipissing and Sudbury, both in Ontario, were then popular destinations for hunting and exploring trips. The sheet comes from a sketchbook in which the artist collected impressions from his travels. Such records could serve as preparatory studies for larger paintings or remain as personal memories.

Impact

Clear lines and a quiet layout give the sheet an immediacy. The finely graded shading produces a still, inward-looking mood that draws the viewer into the landscape. Because color is absent, the documentary aspect comes forward, and the eye lingers on forms and atmosphere.

Technique

Graphite on wove paper allows fine lines and graduated shading, and Bierstadt uses varying pressure to bring out depth and light. The fact that the sheet comes from a sketchbook points to a quick, direct approach on site.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)