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← Vincent van Gogh Vincent van Gogh — Street in Saintes-Maries-de-la-Mer

Street in Saintes-Maries-de-la-Mer

Original title: Street in Saintes-Maries-de-la-Mer

Artist
Vincent van Gogh
Date
ca. July 15, 1888
Medium
Reed pen, quill, and brown ink over graphite on wove paper (laid down on wove paper; tack holes in all corners); later additions (by a restorer?) in black chalk, lower and upper right
Dimensions
Sheet: 9 9/16 x 12 1/2 in. (24.3 x 31.7 cm)
Credit line
Bequest of Abby Aldrich Rockefeller, 1948

kurzbeschreibung

In 1888, Vincent van Gogh drew a street in Saintes-Maries-de-la-Mer using reed pen, quill, and brown ink over graphite on wove paper. The drawing captures a tree-lined street flanked by houses, with a few small figures scattered along the way.

Description

On both sides, houses with steep, shingled roofs stand; dots and dashes suggest the roof tiles. To the right, trees and bushes are formed from similar strokes and dots. The street runs horizontally and forms the core of the image; small dots mark the ground and tracks. A few tiny figures are rendered in a linear manner. At the top edge, roof peaks with wisps of smoke rise up.

Context

In June 1888, van Gogh stayed in Saintes-Maries-de-la-Mer, a fishing village on the southern French coast. During this visit, he produced several views of the place, including this drawing. It belongs to a series of pen-and-ink drawings that he made both as independent works and as studies for paintings. Later additions in black chalk were likely made by a restorer.

Impact

Dense hatching and fine stippling create a lively, almost atmospheric mood. Though limited to brown and gray tones, light and shadow seem to play across the surface, giving the street spatial depth. The reduced color directs attention to the graphic structure and the movement of lines.

Technique

Van Gogh worked with reed pen and quill in brown ink over a graphite underdrawing. Shingled roofs and the street are shaped by pointillist dots and short strokes. The paper has been laid down on a second sheet; later additions in black chalk at the edges point to a restoration.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)