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The Angel with the Key to the Bottomless Pit

Original title: The Angel with the Key to the Bottomless Pit

Artist
Albrecht Dürer
Date
ca. 1498
Medium
Woodcut
Dimensions
sheet: 15 3/8 x 11 in. (39.1 x 28 cm) trimmed to block line
Credit line
Gift of Junius Spencer Morgan, 1919

kurzbeschreibung

This woodcut by Albrecht Dürer, dating to around 1498, depicts the archangel Michael holding the key to the bottomless pit. The scene is set within a detailed landscape, with a city and mountains in the background. The print is a striking example of Dürer's early mastery of the woodcut medium.

Description

The central figure of the angel Michael dominates the composition, dressed in flowing robes with large wings spread behind him. He gazes downward, holding a large key in his hand, while two other angels stand to the right, looking toward him. In the lower right corner, a dragon is visible, and the sky is filled with clouds and birds. The background includes a city with towers, surrounded by trees and mountains, all rendered in the monochrome linework typical of woodcuts.

Context

The print is based on the biblical Book of Revelation (Revelation 20:1-3), where an angel descends from heaven with the key to the abyss to bind Satan. Dürer created this work during a period when he was producing a series of woodcuts on religious themes, likely for a patron or a publication. It reflects the late medieval interest in apocalyptic imagery, which was widespread in Europe around 1500.

Impact

The composition is balanced and symmetrical, with the angel Michael as the clear focal point, drawing the viewer's eye to his solemn expression and the symbolic key. The intricate linework and shading give the scene a sense of depth and texture, while the contrast between the celestial figures and the earthly landscape creates a dramatic tension. The print conveys a sense of divine authority and the cosmic struggle between good and evil.

Technique

Dürer used the woodcut technique, carving the design into a wooden block and printing it with ink. The image is characterized by bold outlines and fine cross-hatching to create tonal variation and texture. The monochrome palette is typical of woodcuts, and Dürer's skill is evident in the detailed rendering of the figures, landscape, and architectural elements.

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Source: Metropolitan Museum of Art · Public domain (CC0)