Art Archive

← Lucas Cranach the Elder Lucas Cranach the Elder — The Celestial Ladder of St. Bonaventura

The Celestial Ladder of St. Bonaventura

Original title: The Celestial Ladder of St. Bonaventura

Artist
Lucas Cranach the Elder
Medium
Woodcut; state one of two (Hollstein)
Dimensions
Sheet: 16 1/4 × 11 5/8 in. (41.2 × 29.5 cm)
Credit line
Harris Brisbane Dick Fund, 1937

kurzbeschreibung

Lucas Cranach the Elder depicts the heavenly ladder of Saint Bonaventure in this woodcut, a religious subject that links heaven and earth. The sheet is undated and survives in the first of two states (Hollstein). It shows the saint set within a circular arrangement of religious symbols and figures.

Description

Saint Bonaventure forms the hub of the image, ringed by a garland of sacred emblems and personages. These figures appear in varied poses and with different expressions; some pray, others preach or engage one another. Clouds and signs such as the cross and the eagle, symbol of the Holy Spirit, ornament the sheet. The layout is symmetrical and clearly ordered, drawing the eye firmly to the central figure. Latin inscriptions accompany the illustration, conveying theological ideas and passages from Scripture.

Context

Cranach probably made this woodcut in the early sixteenth century, during a period of fierce religious conflict in Germany. It belongs to a series of illustrations that brought theological themes to a wide audience. With the heavenly ladder the artist takes up medieval mysticism as shaped by the Franciscan theologian Bonaventure. Cranach served as court painter to the Saxon electors and was close to circles of the Reformation.

Impact

Clear draughtsmanship and a symmetrical structure give the sheet a calm, meditative mood. The many details among the figures and symbols reward close looking and make the theological depth of the subject palpable. Because the woodcut remains monochrome, nothing distracts from the pictorial narrative and the Latin texts.

Technique

The image was produced as a woodcut, a relief process in which the design is cut into a block of wood and then printed. The lines appear fine and confidently placed, suggesting careful work on the block. The present impression is the first of two known states (Hollstein), which points to a later reworking of the block.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)