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← Lucas Cranach the Elder Lucas Cranach the Elder — The Archangel Michael Weighing a Soul

The Archangel Michael Weighing a Soul

Original title: The Archangel Michael Weighing a Soul

Artist
Lucas Cranach the Elder
Date
1506
Medium
Woodcut; first state of two
Dimensions
Sheet: 9 13/16 × 5 11/16 in. (24.9 × 14.4 cm)
Credit line
Harris Brisbane Dick Fund, 1927

kurzbeschreibung

Lucas Cranach the Elder made this woodcut in 1506, showing the Archangel Michael weighing a soul. The print survives in the first of two states. Michael appears winged and robed, a sword in one hand and a pair of scales in the other.

Description

Wings spread wide, the archangel stands wrapped in a heavily folded mantle. His right hand grips a sword, his left holds the scales, and a soul rests in their pans. At his feet crowd several figures and animals, among them a dragon and other mythical creatures read as the damned or as sins. A landscape with buildings and a tower closes off the distance, and two coats of arms are set at the top. Crisp linework defines the sheet, which has no color.

Context

In 1506, when this woodcut was made, Cranach was court painter to Frederick the Wise, Elector of Saxony. The soul-weigher motif was widespread in late medieval and early modern art and illustrated the Last Judgment. The two coats of arms at the top point to a possible patron or a dedication, though the exact attribution remains uncertain. Cranach left behind numerous prints known for their precision and theological imagery.

Impact

Michael's central placement and the tense pairing of sword and scales give the sheet real force and symbolic density. Sharp lines and the detailed rendering of the mythological creatures produce a somber yet gripping mood that draws the viewer into the theme of the Last Judgment.

Technique

A woodcut is a relief process: the image is cut into a block of wood and then printed onto paper. Here Cranach uses fine lines and precise cutting to bring out both the archangel and the background details. The first state of the print presumably shows no later changes or reworking, reflecting the work's original form.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)