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← Lucas Cranach the Elder Lucas Cranach the Elder — Samson and Delilah

Samson and Delilah

Original title: Samson and Delilah

Artist
Lucas Cranach the Elder
Date
ca. 1528–30
Medium
Oil on beech
Dimensions
22 1/2 x 14 7/8 in. (57.2 x 37.8cm)
Credit line
Bequest of Joan Whitney Payson, 1975

kurzbeschreibung

Lucas Cranach the Elder painted the biblical story of Samson and Delilah around 1528–30: Delilah cradles the sleeping Samson in apparent safety while soldiers stand ready in the background to seize him. Executed in oil on beech, the panel measures 57.2 x 37.8 cm.

Description

Samson lies on the ground in the foreground, dressed in a green garment and red hose, unconscious or exhausted. Delilah sits beside him in a red, gold-trimmed dress and supports his head. Behind the two, several armored soldiers climb a tree to watch the events. The landscape includes trees, apples, and a castle on a hill. Light falling from above highlights the figures and the details of their clothing; the palette is mostly dark, with accents of red and green.

Context

Lucas Cranach the Elder ranks among the leading German Renaissance painters and served as court artist to the Saxon electors. The Samson and Delilah theme enjoyed great popularity during the Reformation, as it was seen as a symbol of seduction and the loss of strength. Cranach produced several versions of this subject, characterized by similar pictorial structures and a richly articulated landscape. This painting dates from a phase in which the artist increasingly made small-format biblical and mythological scenes for private collectors.

Impact

The calm arrangement and precise rendering of garments and landscape give the picture great detail and an undercurrent of drama. A tension builds between the sleeping Samson and the lurking soldiers, drawing the viewer directly into the narrative. The dark palette receives enlivening accents from the bright reds and greens of the clothing, lending the work a timeless elegance.

Technique

The painting is executed in oil on beech, a support common for panel paintings of the German Renaissance. With fine brushstrokes, Cranach rendered the textures of the fabrics, the details of the armor, and the naturalistic landscape. Through glazing techniques, he could model light and shadow with nuance and give the figures a sculptural presence.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)