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← Lucas Cranach the Elder Lucas Cranach the Elder — Andrew from the Martyrdom of the Twelve Apostles

Andrew from the Martyrdom of the Twelve Apostles

Original title: Andrew from the Martyrdom of the Twelve Apostles

Artist
Lucas Cranach the Elder
Medium
Woodcut
Dimensions
Sheet: 6 7/16 × 4 15/16 in. (16.3 × 12.5 cm)
Credit line
Rogers Fund, 1917

kurzbeschreibung

Lucas Cranach the Elder made this woodcut of the Apostle Andrew on the cross. It belongs to a series on the twelve apostles, though the exact date of its making is not recorded. The sheet was printed in a single colour, with thin lines and sharply defined contours.

Description

Andrew hangs at the centre of the sheet, a sword in his right hand; beard and garment stand out clearly. Armoured soldiers press in on every side, while below them kneeling figures in plain clothing pray. Mountains and a small building close off the space. The arrangement is restless and draws the eye to the moment of execution itself. Light and dark areas come from strokes placed at different intervals, as is usual in woodcut.

Context

Cranach the Elder produced this sheet within a series on the martyrdoms of the twelve apostles, a subject widespread in the Reformation era. It was probably made in his Wittenberg workshop, where he served as court painter to the Saxon electors. Printed sheets of this kind were often used for religious instruction and, through reproduction, reached a wide audience.

Impact

The restless layout and dense working give the scene an immediate presence. Because the suffering Andrew and the figures around him are held so closely together, the sheet gains an emotional force that speaks to the viewer directly. The single-colour printing and clear lines heighten the drama of the martyrdom.

Technique

This is a relief print: the motif stands raised on the woodblock, and lines and hatching appear as blackened traces when pulled. From this come the sharp edges and thin strokes characteristic of the process. Where the bands of lines sit closer together or further apart, graded tones emerge that lend the sheet spatial depth.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)