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Gardener by an Apple Tree

Original title: Gardener by an Apple Tree

Artist
Vincent van Gogh
Date
mid-July, 1883
Medium
Transfer lithograph with pen and ink
Dimensions
Sheet: 9 1/4 × 12 11/16 in. (23.5 × 32.3 cm)
Credit line
Purchase, Fletcher Fund, William R. Drexler Sr. and Violet Drexler Bequest, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, and The Derald H. Ruttenberg Foundation, in honor of Nadine M. Orenstein and Charles and Jessie Price Gifts, 2021

kurzbeschreibung

Vincent van Gogh's lithograph 'Gardener by an Apple Tree' was made in mid-July 1883 and presents a man tending a bare apple tree in the countryside. This is a transfer lithograph that the artist later worked over with pen and ink.

Description

A man leans over an apple tree with bare branches in the foreground, a sign of autumn or winter, handling a tool on it. Behind him stands a house with a roof and chimney, and further off, trees and shrubs. The layout extends horizontally, bringing the figure and tree into view. Black and white dominate the drawing; the light is even, with no shadows. The style feels realistic with impressionistic touches, seen in flowing lines and an emphasis on the natural surroundings.

Context

Van Gogh made this lithograph in the summer of 1883, when he was living in the Netherlands and deeply engaged with the lives of rural people. It belongs to a period in which he depicted laborers and peasants, whom he saw as an expression of authenticity and human existence. The transfer lithograph served him as an experimental means to achieve drawn effects and to circulate his works.

Impact

The quiet, everyday subject and clear linework come across as both matter-of-fact and empathetic. Because color is absent, nothing distracts from the action and the structure of the landscape. Overall, the image conveys a silent dignity of labor, typical of van Gogh's early period.

Technique

In transfer lithography, the drawing is first made on special paper and then transferred to the printing stone. Van Gogh subsequently reworked the print with pen and ink, giving the lines more depth and dynamism. The interplay of lithographic printing and manual retouching produces a lively, handcrafted quality.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)