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← Lucas Cranach the Elder Lucas Cranach the Elder — Luther as an Augustinian Friar, with Cap

Luther as an Augustinian Friar, with Cap

Original title: Luther as an Augustinian Friar, with Cap

Artist
Lucas Cranach the Elder
Date
1521
Medium
Engraving; second state of two (Hollstein)
Dimensions
Sheet: 8 7/16 × 5 5/8 in. (21.5 × 14.3 cm) Plate: 8 3/16 × 5 13/16 in. (20.8 × 14.8 cm)
Credit line
Harris Brisbane Dick Fund, 1930

kurzbeschreibung

Lucas Cranach the Elder made this portrait of Martin Luther in 1521, showing him in profile as an Augustinian monk. The engraving survives in its second state and pairs a richly detailed likeness with a Latin poem in the lower section.

Description

The viewer's eye settles first on the grave, thoughtful face, turned in profile from left to right. The sitter wears a hooded garment and a cap on the right side of his head; his eyes look upward. A plain dark background draws attention to the features and the clothing. Along the bottom edge runs a Latin poem by Lucas Cranach the Elder, together with the date 1521 in Latin lettering. The layout is clear and concentrated, the light evenly spread, giving the effect typical of an etching.

Context

The portrait dates from 1521, while Luther was staying at the Wartburg under the protection of Frederick the Wise after the Diet of Worms. Cranach, court painter to the Saxon electors and closely tied to the Reformation, produced several likenesses of Luther that served as propaganda. The presentation as an Augustinian monk emphasizes Luther's spiritual standing, and the Latin poem beneath underscores his theological importance.

Impact

A calm, concentrated presence emanates from the sheet, lending it a dignified, intellectual note. The upward gaze and plain clothing convey spiritual seriousness that speaks directly to the viewer.

Technique

For this engraving the design was cut into a copper plate and then printed. Delicate lines and even shading attest to Cranach's high craft precision. The second state of the print suggests possible reworking or corrections made after the first.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)