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← Lucas Cranach the Elder Lucas Cranach the Elder — Simon, from The Martyrdom of the Twelve Apostles

Simon, from The Martyrdom of the Twelve Apostles

Original title: Simon, from The Martyrdom of the Twelve Apostles

Artist
Lucas Cranach the Elder
Medium
Woodcut
Dimensions
Sheet: 6 1/2 × 4 15/16 in. (16.5 × 12.5 cm)
Credit line
Rogers Fund, 1917

kurzbeschreibung

Unlike many apostle martyrdoms that isolate a single saint's death, this woodcut by Lucas Cranach the Elder presents two crucified apostles at once. The sheet belongs to a series on the twelve apostles, is undated, and measures 16.5 × 12.5 cm. A crowd presses in around the two crucifixions.

Description

Two apostles hang crucified on trees in the foreground while a group of people watches. Some in the crowd carry weapons or other objects, and a few stand close to the crucified figures. Buildings and trees in the rear suggest a rural or urban setting. The layout is densely packed with figures and details. The sheet remains colorless, and the light appears even, without visible shading.

Context

Lucas Cranach the Elder ranks among the important German artists of the Renaissance and was close to Martin Luther; he supported the Reformation. The apostle martyrdoms were probably made in the early sixteenth century, in an era of religious upheaval. Woodcuts often served as a mass medium for spreading religious imagery. No exact date for the work has come down to us, but it belongs to Cranach's printmaking output.

Impact

The dense arrangement and clear lines of the woodcut make the sheet immediate and narrative. Because the light stays even and shading is absent, the scene takes on something matter-of-fact, almost documentary. The viewer's gaze is directed to the cruelty of the martyrdom without the image being emotionally overloaded.

Technique

The sheet was produced by the relief printing method of woodcut, in which the design is cut away from a wooden block. Carefully guided lines show the clarity typical of Renaissance printmaking. Monochrome printing and even lighting are hallmarks of this technique.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)