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← Cherubino Alberti (Zaccaria Mattia) Cherubino Alberti (Zaccaria Mattia) — The Creation of Adam who reclines at left and touching the hand of God

The Creation of Adam who reclines at left and touching the hand of God

Original title: The Creation of Adam who reclines at left and touching the hand of God

Artist
Cherubino Alberti (Zaccaria Mattia)
Date
1570–1615
Medium
Engraving
Dimensions
Sheet: 6 1/2 × 10 9/16 in. (16.5 × 26.8 cm)
Credit line
Purchase, Joseph Pulitzer Bequest, 1917

kurzbeschreibung

Cherubino Alberti's engraving, made between 1570 and 1615, presents the biblical creation of Adam. The naked, fully modelled Adam reclines on the left, while from the right the bearded God in robes steps forward and reaches out his hand.

Description

The layout feels balanced: Adam lies on the left side of the image, God on the right, leaning toward him. The two hands, almost touching, form the connection. Trees and mountains frame the scene behind. Light falling from the front emphasises the contours of the bodies and the natural forms. Precise lines and graduated shading shape Adam's musculature and the folds of God's robe.

Context

Cherubino Alberti, an Italian engraver and painter of the late Renaissance, became known above all for reproductive prints after works by major artists. This engraving was made between 1570 and 1615, in an era when biblical subjects were common in printmaking. It presumably goes back to a painting or drawing by another artist, as was typical of Alberti's working method.

Impact

The clear, balanced arrangement and the immediate closeness of the two figures draw the viewer in at once, capturing the moment of life being passed on with intensity. The careful linework and shading give the sheet a calm, almost meditative presence.

Technique

In this etching, the lines were cut into a metal plate etched with acid. Alberti worked with fine, exact lines and cross-hatching to achieve effects of light and shadow. At 16.5 × 26.8 cm the sheet remains relatively small and shows the attention to detail typical of late sixteenth-century printmaking.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)