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← Pietro Santi Bartoli Pietro Santi Bartoli — Plate 4: animals transporting goods being led by figures going to the right

Plate 4: animals transporting goods being led by figures going to the right

Original title: Plate 4: animals transporting goods being led by figures going to the right

Artist
Pietro Santi Bartoli
Date
ca. 1660–90
Medium
Etching
Dimensions
Sheet: 6 9/16 × 18 1/8 in. (16.6 × 46 cm)
Credit line
Bequest of Phyllis Massar, 2011

kurzbeschreibung

Pietro Santi Bartoli made this etching, Plate 4: Animals Transporting Goods, Led by Figures Walking to the Right, between about 1660 and 1690. One sheet from a series, it presents a baggage train of people and animals and captures movement and everyday life in a historical setting with the close attention to detail typical of the Baroque.

Description

The layout runs horizontally: a group of people and animals moves from left to right. Horses and donkeys carry barrels and baskets, while figures in traditional dress steer the animals or walk alongside the loads. Trees and part of a building in the background link nature with the urban setting. The image is monochrome, and even lighting comes from delicate shading and linework. Detail is dense, with movement and volume emphasized in keeping with the Baroque.

Context

The etching dates from the second half of the seventeenth century, when Bartoli was known for his reproductions of ancient Roman reliefs. It most likely belongs to a series of plates showing scenes of daily life in antiquity. Bartoli often worked for collectors and scholars who wanted ancient artworks documented. The motif of transport and procession is common in Roman antiquity, and his engraving brought it to a wider public.

Impact

The print conveys a calm, orderly movement that leads the eye along the horizontal axis. The precise rendering of animals and figures feels lively and narrative, illustrating daily life in a past era. Even lighting and delicate lines create a factual, composed atmosphere.

Technique

The etching was made by drawing into a metal plate and biting it with acid. This method allows fine, precise lines and varied shading that bring out details of figures and animals. Monochrome tone and even lighting are characteristic of this print, a technique widespread in the seventeenth century.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)