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← Andrea Andreani Andrea Andreani — The Crossing of the Red Sea, Moses Stands at the Left Pointing to the Army Being Submerged, after Titian

The Crossing of the Red Sea, Moses Stands at the Left Pointing to the Army Being Submerged, after Titian

Original title: The crossing of the red sea, Moses stands at the left pointing to the army being submerged, after Titian

Artist
Andrea Andreani
Date
1589
Medium
Chiaroscuro woodcut from four blocks in brown-green, extra strip from another impression with brown hue added across top
Dimensions
Height: 22 7/16 in. (57 cm) Width: 44 1/2 in. (113 cm)
Credit line
Rogers Fund, 1922

kurzbeschreibung

Andrea Andreani produced this chiaroscuro woodcut in 1589, printed in brown-green tones after a design by Titian. At the left edge Moses points his staff toward the sea while the Egyptian army drowns in the flood.

Description

Moses stands at the left in traditional robes, staff raised toward the churning water. Its waves tower dramatically and swallow soldiers and horses. On the right, people and animals are caught in confused movement beneath the flood. Behind them rocks rise, along with a city with a church or tower. Brown-green tonal steps shape the sheet, with an extra brown strip added across the top.

Context

This print was made in Italy in 1589, in the tradition of the chiaroscuro woodcut popularized by Ugo da Carpi. A drawing or painting by Titian of the biblical story of the Egyptians pursuing the Israelites served as the model. Such prints were prized by collectors and made compositions by famous masters available in larger numbers.

Impact

Tension arises from the interplay between Moses's gesture and the surging waves, which bring strong movement into the image. The restrained brown-green palette gives the scene a serious, almost threatening undertone and lets the miracle of rescue stand out all the more strongly.

Technique

Four woodblocks in brown-green tones were used for printing, each contributing its own level of tone. At the upper edge a strip from another impression with brown hue was added. In this way fine gradations of tone could be achieved, giving the print a painterly effect.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)