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← Titian (Tiziano Vecellio) Titian (Tiziano Vecellio) — Filippo Archinto (born about 1500, died 1558), Archbishop of Milan

Filippo Archinto (born about 1500, died 1558), Archbishop of Milan

Original title: Filippo Archinto (born about 1500, died 1558), Archbishop of Milan

Artist
Titian (Tiziano Vecellio)
Date
mid-1550s
Medium
Oil on canvas
Dimensions
46 1/2 x 37 in. (118.1 x 94 cm)
Credit line
Bequest of Benjamin Altman, 1913

kurzbeschreibung

Filippo Archinto, Archbishop of Milan, appears in this portrait by Titian (Tiziano Vecellio), painted in the mid-1550s. The elderly cleric, shown in oil on canvas, wears a dark robe with red accents and holds a book or scroll in his hands.

Description

An older man with a bald head and thick grey beard looks out from the canvas. He is dressed in a dark robe with red accents at the sleeves and collar, signalling his high ecclesiastical office. His hands are visible: one holds a book or parchment scroll, the other rests upon it. The background remains dark and undefined, emphasising the figure. The palette is subdued, with a strong contrast between the dark garment and the lighter background.

Context

Filippo Archinto was Archbishop of Milan and a prominent figure in the sixteenth-century Catholic Church. The portrait was made in the mid-1550s, when Titian was already established as one of Venice's leading portraitists. Archinto may have commissioned the painting to record his authority and piety. Titian's portraits were known for their psychological depth and realistic rendering of his sitters.

Impact

Through the dark background and emphasised facial features, the painting radiates a dignified and serious presence. The red accents on the garment provide subtle signals and underscore the sitter's spiritual dignity. The realistic portrayal of age and the calm posture create an aura of authority and prudence.

Technique

The work is executed in oil on canvas, a technique widespread in the Renaissance. Titian used visible brushstrokes to create texture in the clothing and face, giving the painting a lively surface. The subdued colour palette and the contrast between light and shadow are characteristic of his mature portraiture.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)