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← Nicolò Boldrini Nicolò Boldrini — Landscape with a milkmaid at right and a boy at left

Landscape with a milkmaid at right and a boy at left

Original title: Landscape with a milkmaid at right and a boy at left

Artist
Nicolò Boldrini
Date
ca. 1535–40
Medium
Woodcut
Dimensions
Sheet: 14 7/16 × 20 11/16 in. (36.7 × 52.5 cm)
Credit line
Bequest of Phyllis Massar, 2011

kurzbeschreibung

Unlike many pure pastoral idylls of the same period, this woodcut by Nicolò Boldrini, made around 1535–40, sets a busy rural scene in the foreground against a village in the distance. The subject belongs to the Venetian Renaissance view of landscape, as it was then chiefly explored in prints.

Description

Sheep, goats, cows, and a donkey fill the foreground and give the image movement. A man with a bucket and stick crosses the sheet, while on the right a woman milks a cow into a bucket. Behind them opens a terrain of trees and rocks, where a town with houses and a tower rises; above it lies a cloud-rich sky. The layout stretches broadly into the horizontal, the light stays even without harsh contrasts, and the lines are delicate and rich in detail.

Context

Boldrini, a Venetian woodcutter, was in close contact with Titian and often carried out his designs. In that phase, Venetian printmaking gained new standards in the rendering of landscape. What is seen here reflects the Renaissance interest in idyllic nature and peasant daily life, which reached a wide audience through print.

Impact

A quietly balanced arrangement emanates from this sheet and conveys a calm that invites lingering. Delicate lines and a well-proportioned build-up of the pictorial elements create an abundance of detail that nonetheless remains natural and is characteristic of the Venetian school.

Technique

For this sheet, the motif was transferred to a woodblock and then printed. In this way fine lines and a high degree of precision could be achieved, as was valued in the Renaissance. The impression remains monochrome and lives from the natural tone of the paper and the printing ink.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)