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← Domenico Campagnola Domenico Campagnola — Group of naked men engaged in battle in a wooded landscape, some on horseback; a dog at lower left

Group of naked men engaged in battle in a wooded landscape, some on horseback; a dog at lower left

Original title: Group of naked men engaged in battle in a wooded landscape, some on horseback; a dog at lower left.

Artist
Domenico Campagnola
Date
1517
Medium
Engraving
Dimensions
Sheet (trimmed to plate): 8 3/4 × 8 15/16 in. (22.2 × 22.7 cm)
Credit line
Anonymous Gift, 1929

kurzbeschreibung

A throng of naked men fights in a wooded landscape, some on horseback and some on foot. Domenico Campagnola engraved the scene in 1517; a dog appears at the lower left. The dense image combines motifs of wrestling and mounted combat of ancient origin into a single crowded field.

Description

Naked fighters crowd into a tight space, striking out in opposing directions and pressing upon one another. Horsemen move among them, their mounts carrying the unrest of the layout. At the lower left a dog joins the scrum. Bodies are drawn with clearly defined musculature, and movement arises from the direction of the lines and the hatching of the print. Light and dark tonal steps order the wooded space in depth.

Context

Campagnola worked as a draftsman and printmaker in the circle of the Venetian Renaissance and was close to Titian's associates. In 1517 woodcut and engraving still offered relatively young means of image-making in Venice, which the artist used for new tasks. The motif of fighting nudes follows classical models; at the same time the sheet reveals a clear interest in anatomical observation.

Impact

The print gives off an immediate, almost chaotic movement that springs from the closeness of the figures and their expansive poses. Graduated shading leads the eye through the crush and brings out the physicality of the combatants. What appears as raw violence remains contained by the strict draftsmanship.

Technique

For the print, the drawing was etched into a metal plate, allowing fine tonal gradations. This method makes it possible to reproduce muscle areas and movement paths precisely. The impression is trimmed to the plate mark and measures 22.2 × 22.7 cm.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)