Art Archive

← Wenceslaus Hollar Wenceslaus Hollar — Pietro Aretino (1647)

Pietro Aretino (1647)

Original title: Pietro Aretino

Artist
Wenceslaus Hollar
Date
1647
Medium
Etching; second state of four (NH)
Dimensions
image: 7 3/8 x 5 1/4 in. (18.7 x 13.3 cm) sheet: 8 x 5 3/8 in. (20.3 x 13.7 cm) cut within platemark
Credit line
Harris Brisbane Dick Fund, 1917

kurzbeschreibung

Pietro Aretino, the Tuscan poet, appears in this 1647 etching by Wenceslaus Hollar as a half-length portrait. The beard, the head covering and the striped garment define the image. The sheet is the second state of four and measures 18.7 x 13.3 cm.

Description

A man with a long, wavy beard and a cloth headdress reminiscent of traditional dress looks out from the picture. A garment with broad shoulder pieces and vertical stripes lies over his shoulders. At the bottom of the image field an inscription names the sitter and his origin as a Tuscan poet. Everything is centred on the face, and the light falls evenly, without harsh shadows, as was usual for portraits of this period.

Context

The Bohemian printmaker Wenceslaus Hollar made this portrait in 1647, during his years in England. It shows Pietro Aretino (1492–1556), a well-known Italian poet and satirist of the Renaissance. Hollar produced many reproductions after paintings and drawings; an older portrait of the poet probably served as the model for this sheet. The second state may contain reworking carried out for the printing.

Impact

Aretino comes across as calm and dignified in this etching. The even distribution of light and the clearly outlined forms let the poet stand out as an intellectual figure. The sober presentation supports this impression without pathos.

Technique

The lines of this etching were worked into an etched plate. Fine hatching and precise linework characterise Hollar's approach. The sheet is trimmed within the plate mark and measures 20.3 x 13.7 cm.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)