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← Albrecht Dürer Albrecht Dürer — The Assumption and Coronation of the Virgin, from The Life of the Virgin (1510, Met-Objekt 211)

The Assumption and Coronation of the Virgin, from The Life of the Virgin (1510, Met-Objekt 211)

Original title: The Assumption and Coronation of the Virgin, from The Life of the Virgin

Artist
Albrecht Dürer
Date
1510
Medium
Woodcut
Dimensions
sheet: 11 1/4 x 8 1/8in. (28.6 x 20.7cm)
Credit line
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1960

kurzbeschreibung

A 1510 woodcut by Albrecht Dürer depicting the Assumption and Coronation of the Virgin. The print belongs to the series 'The Life of the Virgin' and is cut in wood. Mary is enthroned at the center, surrounded by angels and clouds, while below the faithful venerate her.

Description

At the heart of the image, Mary sits and is crowned by two male figures: on the left, a man with a scepter, symbol of the Holy Spirit; on the right, an old man regarded as God the Father. Both hold crowns over her. Angels and clouds frame the event, creating a heavenly atmosphere. Below, people in traditional garments gaze at Mary with admiring and reverent gestures. The layout appears symmetrical and clear, with Mary remaining the central figure.

Context

Dürer created the woodcut series 'The Life of the Virgin' between 1500 and 1510; this sheet from 1510 is among the last in the series. The series was part of a larger project published together with the 'Great Passion' and the 'Apocalypse'. Through woodcut, Dürer made biblical narratives accessible to a wide audience. The Coronation of the Virgin follows medieval pictorial tradition, which received a new interpretation in the Renaissance.

Impact

Fine linework and a strong contrast between the figures and the background define the print. The symmetrical arrangement and Mary's central position give the image a solemn calm. The detailed lines create a lively depth that draws the viewer into the heavenly scene.

Technique

Dürer verteilt die Szene in klaren, symmetrischen Bahnen über das Blatt, wobei Maria als Zentrum von Engeln, Wolken und betenden Figuren gerahmt wird. Die gleichmäßige Lichtführung ohne sichtbare Schatten lässt die Konturen flächig auf dem Papier hervortreten und verstärkt den starken Kontrast zwischen Figuren und Hintergrund.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)