Art Archive

← Albrecht Dürer Albrecht Dürer — Joachim and Anna at the Golden Gate, from "The Life of the Virgin"

Joachim and Anna at the Golden Gate, from "The Life of the Virgin"

Original title: Joachim and Anna at the Golden Gate, from "The Life of the Virgin"

Artist
Albrecht Dürer
Date
1504
Medium
Woodcut
Dimensions
sheet: 11 11/16 x 8 3/8in. (29.7 x 21.3cm)
Credit line
Rogers Fund, 1918

kurzbeschreibung

Dating from 1504, Albrecht Dürer's woodcut captures the meeting of Joachim and Anna at the Golden Gate in Jerusalem. It belongs to the series 'The Life of the Virgin' and is executed in the woodcut technique. The print depicts the apocryphal legend in which Mary's parents, after a long separation, reunite at the gate.

Description

Two men stand within an archway, absorbed in an exchange or action. Other figures around them watch or linger. Their garments evoke a biblical setting. Trees, buildings, and birds fill the sky above the arch. The layout is symmetrical, with the main figures centered and companions to the sides. Monochrome printing produces even lighting typical of woodcuts.

Context

Between 1502 and 1511, Dürer created the woodcut series 'The Life of the Virgin' as part of his extensive print projects. The sheet from 1504 emerged during a phase when he was deeply engaged with biblical and apocryphal traditions in humanist circles. The series was intended for the European art market and greatly enhanced Dürer's reputation as a printmaker. The encounter at the Golden Gate follows the Legenda Aurea of Jacobus de Voragine.

Impact

The symmetrical arrangement and calm positioning of the figures give the scene a solemn, dignified mood. The intricate linework draws attention to the central meeting, making the biblical narrative both lively and monumental.

Technique

Fine lines and differentiated hatching, printed evenly in black ink, give the sheet its clear contours and balanced tones, while the uncoloured paper remains visible between them. The uniform impression and crisp outlines, preserved without notable staining or loss, reflect the quality of Nuremberg printing workshops of the time.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)