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← Wenceslaus Hollar Wenceslaus Hollar — Jesus confronting his detractors

Jesus confronting his detractors

Original title: Jesus confronting his detractors

Artist
Wenceslaus Hollar
Date
1644–52
Medium
Etching, ony state
Dimensions
Sheet: 3 9/16 × 2 7/16 in. (9.1 × 6.2 cm)
Credit line
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951

kurzbeschreibung

Wenceslaus Hollar etched Christ's confrontation with his adversaries between 1644 and 1652. In a mere 9.1 × 6.2 cm, this small sheet unfolds a dense, contentious scene and ranks among the characteristic examples of Baroque printmaking.

Description

Christ stands elevated in a flowing robe, a lance in his hand, his gesture suggesting accusation or teaching. Figures with spears and shields press around him, while others lie on the ground; the restless distribution of bodies carries tension from one edge to the other. Trees and a fence hint at a rural, secluded setting. The image remains black and white, yet dense hatching and crisp contours give the small format considerable depth and surface interest.

Context

Hollar, an etcher from Bohemia, worked in various European cities during the Thirty Years' War; the years 1644 to 1652, when this print was made, fall into his time in Antwerp and London. He is known for carefully wrought prints of biblical and historical subjects. Baroque influences, with their penchant for dramatic compression and strong expression, are reflected in this work.

Impact

A tense, charged mood emanates from the sheet. The restless layout and precise execution draw the eye to Christ as the focal point and heighten the drama of the moment. Graded shading creates spatial depth and a realism that pulls the viewer into the biblical narrative.

Technique

Hollar worked in etching: the drawing is scratched into an acid-resistant layer on a copper plate and the whole is then etched. This yields sharp, clear lines typical of the process. Lightness and contrast arise from the direction and density of the strokes, allowing very precise reproduction.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)