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← Hans Holbein the Younger Hans Holbein the Younger — Saint Thomas (1527)

Saint Thomas (1527)

Original title: Saint Thomas

Artist
Hans Holbein the Younger
Date
1527
Medium
Pen and black ink, brush and gray wash, heightened with white gouache
Dimensions
8 1/16 x 4 1/8 in. (20.4 x 10.5 cm)
Credit line
Purchase, Pat and John Rosenwald Gift, Rogers Fund, and Gift of Dr. Mortimer D. Sackler, Theresa Sackler and Family, 2001

kurzbeschreibung

Hans Holbein the Younger drew Saint Thomas in 1527: a man standing upright in a plain robe. The sheet is worked on paper with pen and black ink, then extended with brush and gray wash and with white gouache for the highlights.

Description

Saint Thomas stands upright, his head turned slightly to the left, his hands folded before his body. A head covering sits over the long-sleeved robe; the legs are slightly bent and the feet stay bare. At the edge of the sheet, pieces of wood and part of a piece of furniture are suggested. Gray tones govern the image, lightened by white accents; the figure fills most of the surface, the arrangement feels balanced, and the light falls evenly across the form.

Context

Holbein drew this sheet in Basel in 1527, before he moved to England. It was probably intended as a model for a larger painting or a print, perhaps in connection with an altarpiece project. The artist was known for his carefully observed portraits and religious pictures, shaped by close attention to nature.

Impact

Quiet comes off the sheet: the balanced arrangement and the evenly spread light give it something contemplative. Because the color is limited to gray with white heightening, the figure gains a certain weight despite the small format.

Technique

Pen and black ink carry the lines, brush and gray wash lay in the shadows, white gouache sets the lights. Out of this interplay comes a fine modeling of the forms, which renders cloth and body in distinct ways.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)