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← Lucas Vorsterman I Lucas Vorsterman I — A Peasant Yawning

A Peasant Yawning

Original title: A Peasant Yawning

Artist
Lucas Vorsterman I
Medium
Engraving
Dimensions
sheet: 7 11/16 x 8 1/16 in. (19.5 x 20.4 cm)
Credit line
Harris Brisbane Dick Fund, 1953

kurzbeschreibung

Lucas Vorsterman I made this engraving in the 17th century. It shows a bearded man in an open shirt, his mouth stretched wide as if yawning or shouting. Executed as an engraving, the sheet measures 19.5 x 20.4 cm.

Description

A gaping mouth dominates the face of the bearded man in the open shirt; what looks like a yawn could just as well be a cry. The facial expression stands out sharply, every wrinkle of the expression emphasized. The background is dark and grainy, making the figure emerge all the more strongly. An ornate oval frame encloses the figure. Shades of gray define the image, as is usual for engravings, and the linework is carefully drawn.

Context

As a Flemish engraver of the Baroque, Lucas Vorsterman I was known for detailed reproductions as well as for his own prints. The exact date of this sheet is not recorded; it is placed in the 17th century, a time when expressive images of peasants and ordinary people were in demand. The print may belong to a series of character studies, as were common in Dutch and Flemish art of the period. Other artists of the era also took up the motif of the yawning peasant, suggesting a shared pictorial tradition.

Impact

The exaggerated facial expression strikes the viewer immediately, intensified by the dark, textured surroundings. The oval frame brings the sheet close to a portrait and gives it something intimate, while the expressive head creates a direct confrontation. Carefully drawn lines capture the details and contribute to the realistic impression. The scene feels alive above all through this combination of intimacy and exaggeration.

Technique

For this engraving, the lines were cut into a copper plate, which allows fine, precise strokes. Thus the texture of the shirt and the man's expression can be rendered exactly. Shades of gray and dark hatching in the background are typical of 17th-century printmaking.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)