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← Pieter Bruegel the Elder Pieter Bruegel the Elder — Four-master and Two Three-masters Anchored near a Fortified Island, from "The Sailing Vessels"

Four-master and Two Three-masters Anchored near a Fortified Island, from "The Sailing Vessels"

Original title: Four-master and Two Three-masters Anchored near a Fortified Island, from "The Sailing Vessels"

Artist
Pieter Bruegel the Elder
Date
1561–65
Medium
Engraving and etching; first state of three
Dimensions
Plate: 8 7/8 × 11 9/16 in. (22.5 × 29.4 cm) Sheet: 10 15/16 × 13 in. (27.8 × 33 cm)
Credit line
Bequest of Alexandrine Sinsheimer, 1958

kurzbeschreibung

Pieter Bruegel the Elder made this etching between 1561 and 1565 as part of his series The Sailing Vessels. It presents a maritime view with several sailing ships anchored off a fortified island. The print is an etching with engraving and survives in the first of three states.

Description

Three large sailing ships with masts and billowing sails anchor in the foreground, each set at a different angle to the water. Behind them rises a fortified island with a tower and a ring wall surrounded by a moat. Smaller boats and scattered figures spread across the water, loosening the pictorial structure. The layout feels balanced, with ships and island as the main motifs. Fine lines and hatching draw out light and dark and create spatial depth.

Context

The Sailing Vessels series was made in the early 1560s, when Bruegel was deeply engaged with themes of seafaring. The etching was published by Hieronymus Cock, a leading print publisher in Antwerp with whom Bruegel collaborated. Ship depictions of this kind were common in sixteenth-century Netherlandish art and expressed the role of seafaring for the region's economy and politics.

Impact

The precise rendering of ships and fortification conveys a calm yet detailed mood that invites close looking. The balanced arrangement and fine linework give the print a clear, ordered structure characteristic of Bruegel's early printed work.

Technique

Etching and engraving on paper come together here; the fine lines and hatching are typical of sixteenth-century printmaking. The plate measures 22.5 × 29.4 cm and was printed in the first of three states, suggesting careful reworking by the artist.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)