Art Archive

← Wenceslaus Hollar Wenceslaus Hollar — Frances Stuart, Countess of Portland

Frances Stuart, Countess of Portland

Original title: Frances Stuart, Countess of Portland

Artist
Wenceslaus Hollar
Date
1650
Medium
Etching; first state of three (New Hollstein)
Dimensions
Sheet (clipped impression): 10 7/8 × 7 1/2 in. (27.6 × 19.1 cm)
Credit line
Gift of David Keppel, 1917

kurzbeschreibung

Frances Stuart, Countess of Portland, is shown in a bust portrait. Wenceslaus Hollar etched this likeness in 1650; the present impression is the first of three states (New Hollstein). The sitter appears in a dress with a fur collar and a pearl necklace.

Description

The woman faces forward, arms crossed over her chest in a formal pose. A dress with a striking fur collar and a pearl necklace around her neck define her appearance. Long, curly hair and earrings are clearly visible. Behind her, curtains suggest an interior. Below the portrait, a Latin text identifies the sitter.

Context

Wenceslaus Hollar, a Bohemian etcher, was valued for his precise portraits and topographies. Frances Stuart was married to James Stuart, 1st Duke of Richmond and 4th Duke of Lennox, and served as a lady-in-waiting at the English court. The image dates from Hollar's English period, when he worked for the aristocracy. It belongs to a series of portraits the artist made on commission for noble families.

Impact

Fine lines and hatching give the portrait a detailed yet elegant appearance. The formal pose and direct gaze of the sitter create a dignified, distant aura typical of 17th-century portraiture.

Technique

Hollar produced an etching: the drawing was scratched into a wax layer on a copper plate and then bitten with acid. The fine lines and hatching visible in the image analysis attest to his virtuoso technique. The present impression is a first state and thus one of the earliest prints from this plate.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)