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← John Britton John Britton — The History and Description of Cassiobury Park, Hertfordshire, the seat of the Earl of Essex

The History and Description of Cassiobury Park, Hertfordshire, the seat of the Earl of Essex

Original title: The History and Description of Cassiobury Park, Hertfordshire, the seat of the Earl of Essex

Artist
John Britton
Date
1837
Medium
Illustrations: etching
Dimensions
19 11/16 x 13 3/8 x 5/8 in. (50 x 34 x 1.6 cm)
Credit line
Harris Brisbane Dick Fund, 1941

kurzbeschreibung

In 1837 John Britton published an illustrated volume on Cassiobury Park in Hertfordshire, and its etchings open a window onto the estate's architecture and grounds. This sheet belongs to a topographical series in which Britton recorded Britain's historic country houses.

Description

A carefully laid out garden filled with all manner of plants and shrubs occupies the foreground of the sheet. Behind it rises a massive old building with towers and battlements, castle-like in character. Trees and undergrowth stand around the structure and partly block the view of it. Everything stays in black and white; the layout is balanced and places the building at its centre. Even light allows an exact, detailed drawing to emerge.

Context

Cassiobury Park served the Earls of Essex as a country seat in Hertfordshire. Established in the seventeenth century, the grounds were remodelled in the nineteenth century under the architect James Wyatt. Britton brought out his own book on the estate in 1837, which joined his series on the history of English country houses. The etchings appeared at a time when topographical illustration was widely popular.

Impact

The sheet presents the English country seat in a romantically transfigured light, with building and nature in harmony. Precise linework and a balanced arrangement produce a calm, orderly mood. The black-and-white technique underlines the graphic clarity and the documentary intent.

Technique

For the illustrations Britton chose etching, an intaglio process in which the drawing is bitten into a metal plate. Fine strokes and even shading follow nineteenth-century etching practice. The book format of roughly 50 x 34 cm points to a generous presentation, as was usual for representative publications of the period.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)