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← Goya (Francisco de Goya y Lucientes) Goya (Francisco de Goya y Lucientes) — Loyalty (ca. 1815–19 (published 1864))

Loyalty (ca. 1815–19 (published 1864))

Original title: 'Loyalty' from the 'Disparates' (Follies / Irrationalities)

Artist
Goya (Francisco de Goya y Lucientes)
Date
ca. 1815–19 (published 1864)
Medium
Etching, burnished aquatint
Dimensions
Plate: 9 5/8 × 13 3/4 in. (24.5 × 35 cm) Sheet: 13 1/16 × 18 9/16 in. (33.2 × 47.1 cm)
Credit line
Gift of Mrs. Henry J. Bernheim, 1936

kurzbeschreibung

Francisco de Goya made 'Treue' (Fidelity) as part of his 'Disparates' series, also known as 'Proverbios', between about 1815 and 1819; it was not published until 1864, long after his death. In etching with burnished aquatint, a crowd of people appears in a dark room, their distorted faces telling of despair or threat.

Description

In a gloomy room, several figures sit, stand, or kneel, each in a different pose. Their faces look twisted and eerie, suggesting mental or physical deformation. Some figures interact, others remain isolated. The sparse light draws attention to faces and upper bodies, emphasizing their expressions. The gray tones and irregular layout, with the main figure at the center, create an oppressive mood.

Context

The 'Disparates' came from Goya's late years, when he increasingly turned away from court art and toward the social and human depths. The prints were not published during his lifetime; the first edition was issued in 1864 by the Academia de San Fernando in Madrid. 'Treue' is among the most enigmatic works in the series, whose exact meaning remains undeciphered. Goya used aquatint to achieve dark, atmospheric effects that were unusual for the time.

Impact

An oppressive atmosphere arises, intensified by the distorted faces and the dark lighting. The viewer enters a realm of the uncanny and ambiguous, prompting reflection on human abysses. The fine grain of the aquatint gives the print an intense, almost tactile surface.

Technique

Etching with burnished aquatint allows nuanced gradations of gray and a rough, detailed structure. The aquatint was partly burnished to set light accents and contrasts. The plate measures 24.5 × 35 cm, the sheet 33.2 × 47.1 cm.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)