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← Goya (Francisco de Goya y Lucientes) Goya (Francisco de Goya y Lucientes) — They make use of them (Se aprovechan), Plate 16 from 'The Disasters of War'

They make use of them (Se aprovechan), Plate 16 from 'The Disasters of War'

Original title: Plate 16 from "The Disasters of War" (Los Desastres de la Guerra): 'They make use of them' (Se aprovechan)

Artist
Goya (Francisco de Goya y Lucientes)
Date
ca. 1810 (published in 1863)
Medium
Etching, lavis, drypoint, burin, burnisher
Dimensions
Plate: 6 5/16 × 9 1/4 in. (16 × 23.5 cm) Sheet: 9 7/8 × 13 1/2 in. (25.1 × 34.3 cm)
Credit line
Purchase, Jacob H. Schiff Bequest, 1922

kurzbeschreibung

This sixteenth plate from Goya's series The Disasters of War (Los Desastres de la Guerra) was made around 1810 but only printed in 1863. It shows a group of people in a barren landscape who have fallen victim to violence.

Description

Two figures lie on the ground: one, nearly stripped bare, is motionless; the other, plainly dressed, bends over it and holds a weapon. A third person stands upright, also armed. Behind them, more figures can be made out in a similar situation. The layout is decidedly unbalanced, rendered in dark gray tones with strong shading that carries the oppressive mood.

Context

The etchings were created between 1810 and 1820 as a response to Napoleon's occupation of Spain and the ensuing War of Independence. The series was only published in 1863, after Goya's death, by the Real Academia de Bellas Artes de San Fernando. Plate 16 takes up the atrocities and dehumanization of war that Goya witnessed at close range.

Impact

The plate emanates a deep hopelessness, coupled with moral indictment. The somber tonality and the unflinching depiction of violence trigger an immediate emotional response in the viewer.

Technique

On a copper plate, Goya combined drypoint, burin, etching, lavis, and burnisher. This mixed technique allowed him fine transitions between light and shadow and a nuanced rendering of the gloomy atmosphere.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)