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← Marcantonio Raimondi Marcantonio Raimondi — The Presentation of Jesus to Simeon in the Temple, after Dürer

The Presentation of Jesus to Simeon in the Temple, after Dürer

Original title: The presentation of Jesus to Simeon in the temple, after Dürer

Artist
Marcantonio Raimondi
Date
ca. 1500–34
Medium
Engraving; second state of two
Dimensions
Sheet: 11 7/16 × 8 1/8 in. (29 × 20.7 cm)
Credit line
Harris Brisbane Dick Fund, 1917

kurzbeschreibung

Marcantonio Raimondi's engraving captures the biblical episode of the presentation of the infant Jesus in the temple. Created between 1500 and 1534 as a black-and-white print, it follows a model by Albrecht Dürer.

Description

A group of figures gathers around a table holding a vessel, which a central figure supports. The participants wear garments typical of the 16th century. Columns and a coffered ceiling define the interior; the layout feels balanced. Light from above accentuates structures and forms, while gradations of gray arise from linework and shading.

Context

Raimondi, an Italian engraver of the Renaissance, gained fame through reproductions after artists such as Dürer and Raphael. This print derives from a work by Albrecht Dürer, who treated the Presentation in the Temple several times. Raimondi's prints helped spread Dürer's visual ideas in Italy and beyond. Two states of this print exist; the second indicates that the plate was reworked.

Impact

The symmetrical arrangement and clear linework evoke a calm, solemn mood. Careful shading gives figures and space a sense of volume and vitality. The central placement of the figures directs the viewer's gaze straight to the event.

Technique

For engraving, lines are cut into a copper plate and then filled with printing ink. Raimondi used fine, precise lines to bring out details and shading. The impression was made in black on paper; the various gray tones result from the density of the lines.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)