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← Goya (Francisco de Goya y Lucientes) Goya (Francisco de Goya y Lucientes) — The Cid Campeador Spearing Another Bull

The Cid Campeador Spearing Another Bull

Original title: Plate 11 from "La Tauromaquia": The Cid campeador spearing another bull

Artist
Goya (Francisco de Goya y Lucientes)
Date
1816
Medium
Etching, burnished aquatint, burin
Dimensions
Plate: 9 13/16 × 13 3/4 in. (25 × 35 cm) Sheet: 12 1/16 × 17 5/16 in. (30.7 × 44 cm)
Credit line
Rogers Fund, 1921

kurzbeschreibung

In 1816, Francisco de Goya created this etching showing the legendary Spanish hero El Cid attacking a bull with a lance from horseback. The print is part of 'La Tauromaquia', a series that captures various scenes of bullfighting. Etching, burnished aquatint and burin were used.

Description

Seated on a horse, El Cid wears traditional Spanish armor including a helmet and points his lance at the bull. The bull is shown in motion and appears to resist the attack. Black-and-white tones dominate the image, as is typical of the process. The layout feels dynamic and centers on the action between rider and bull. Sharp contrasts of light and shadow emphasize the outlines of the figures, while the background remains flat and lacking in detail, directing attention to the main actors.

Context

Between 1815 and 1816, Goya worked on 'La Tauromaquia', a period in which he engaged intensively with Spanish customs and society. The series comprises 33 etchings and traces the history of bullfighting from its beginnings to the practice of his time. El Cid, a historical figure of the 11th century, was regarded in Spain as a national hero. Goya's portrayal of him as a bullfighter is an invented scene that links a heroic past with traditional festival culture.

Impact

The etching conveys an immediate, almost raw energy, driven by the dynamic posture of horse and bull. The strong contrasts and the reduced background create a dramatic concentration on the event. The viewer is drawn directly into the movement and tension of the moment.

Technique

The print was executed as an etching with burnished aquatint and burin work. Aquatint produces fine tonal gradations used for the shadow areas, while etched lines define contours and details. The interplay of these techniques enables a rich graphic effect with precise lines and soft gray tones.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)