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← Goya (Francisco de Goya y Lucientes) Goya (Francisco de Goya y Lucientes) — Figures waking from sleep (?); page 71 from the "Images of Spain" Album (F)

Figures waking from sleep (?); page 71 from the "Images of Spain" Album (F)

Original title: Figures waking from sleep (?); page 71 from the "Images of Spain" Album (F)

Artist
Goya (Francisco de Goya y Lucientes)
Date
ca. 1812–20
Medium
Brush, brown wash, touches of black chalk
Dimensions
Sheet: 8-1/16 x 5-3/4 in. (20.5 x 14.61cm)
Credit line
Harris Brisbane Dick Fund, 1935

kurzbeschreibung

This sheet, titled 'Erwachende Figuren (?)', belongs to Goya's album 'Bilder von Spanien' (F) and was made around 1812–20. Executed with brush, brown wash, and touches of black chalk, it presents two figures who seem to emerge from a dark fog. It is part of a series of album works in which Goya explores the abysses of human nature and fantastic inventions.

Description

Two figures step forth from an almost black, cloud-like darkness. On the left, one lies on the ground, while a second leans over it, creating a tense encounter. Both wear garments reminiscent of historical or rural dress. The ground is bare and dominated by dark, flowing shapes that suggest mist. Brown tones prevail, interspersed with black and gray; light falling from above highlights the contours.

Context

The sheet belongs to Goya's album 'Bilder von Spanien' (F), created between 1812 and 1820—an era of political upheaval in Spain after the Napoleonic Wars. These albums were intended as private, intimate works, not for public view. Often they show fantastic, dreamlike, or gloomy scenes connected to the social and political conditions of the time. The exact meaning of the scene remains open—a hallmark of Goya's late imagery.

Impact

An eerie, floating atmosphere captivates the viewer. Figures and mist merge, blurring the line between reality and dream. The subdued colors and the interplay of light and shadow deepen the somber, enigmatic mood of the sheet.

Technique

Goya worked with brush and brown wash, supplemented by traces of black chalk. The wash allows for flowing transitions and soft shadows, while the chalk sets fine contours. This method is characteristic of Goya's late graphic works, often executed with rapid, expressive brushstrokes on paper.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)