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← Goya (Francisco de Goya y Lucientes) Goya (Francisco de Goya y Lucientes) — Men Hunting; page 105 from the "Images of Spain" Album (F)

Men Hunting; page 105 from the "Images of Spain" Album (F)

Original title: Men hunting; page 105 from the "Images of Spain" Album (F)

Artist
Goya (Francisco de Goya y Lucientes)
Date
ca. 1812–20
Medium
Brush, brown and gray washes, traces of black chalk
Dimensions
Sheet: 8 1/8 × 5 13/16 in. (20.6 × 14.8 cm)
Credit line
Harris Brisbane Dick Fund, 1935

kurzbeschreibung

Two men appear in a rural hunting scene, one holding an arrow or similar object. The sheet "Men Hunting" belongs to the album "Images of Spain" (F) by Francisco de Goya y Lucientes and is dated around 1812–20. It is executed with brush and brown and gray washes, with traces of black chalk, on paper. Birds fly above the figures.

Description

One of the two figures holds an arrow or similar object, while both are in motion in the rural setting. Several birds cross the sky. The layout forgoes detailed background elements and draws the eye to the interplay of the figures. Brown tones dominate the palette, with gray and black as complements, creating an earthy, muted mood. The figures are fluid and sketch-like, emphasizing movement and spontaneity.

Context

Goya created this sheet as part of a series of albums he assembled in his later years, often regarded as private reflections on Spanish life. The album "Images of Spain" (F) was made between 1812 and 1820, a time of political unrest in Spain after the Napoleonic Wars. Goya was mostly in Madrid then, working on various commissions while also producing these intimate, unpublished studies. Hunting was a traditional motif in Spanish art, often associated with nobility and country life.

Impact

Because details are reduced and the brushwork is loose, the sheet feels immediate, almost impressionistic, and pulls the viewer directly into the scene. The earthy tones and animated figures create a calm but lively atmosphere typical of Goya's late graphic works.

Technique

For this sheet Goya used brush and brown and gray washes, supplemented by traces of black chalk. The combination of washed tones and chalk allowed rapid, expressive shading. Several layers of wash create depth and movement, while the chalk provides fine contours.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)