Art Archive

← Goya (Francisco de Goya y Lucientes) Goya (Francisco de Goya y Lucientes) — You'll See Later; a man drinking, a woman trying to stop him; page 24 from the "Black Border Album" (E)

You'll See Later; a man drinking, a woman trying to stop him; page 24 from the "Black Border Album" (E)

Original title: You'll See Later; a man drinking, a woman trying to stop him; page 24 from the "Black Border Album" (E)

Artist
Goya (Francisco de Goya y Lucientes)
Date
ca. 1816–20
Medium
Brush, carbon black and gray ink and wash, scraper
Dimensions
Sheet: 10 1/2 × 7 3/8 in. (26.7 × 18.8 cm)
Credit line
Harris Brisbane Dick Fund, 1935

kurzbeschreibung

On page 24 of the 'Black Border Album', Goya captures a small everyday tragedy: a man drains his cup while a woman grabs his arm to stop him from drinking more. Made around 1816–20, the sheet uses washed ink and brush drawing. What the two figures do to each other carries the picture.

Description

Two figures clash: the man digs his fingers into a cup, the woman reaches for his arm to slow him down. She appears in a dark robe with a head covering, he in a light shirt and dark trousers. Sketchy brushstrokes and tones from gray to black focus all attention on this physical friction. Even light falls across the sheet, with almost no shadows, suggesting an interior or daylight.

Context

Goya's late years produced the 'Black Border Album', made at a time when he increasingly avoided public commissions and drew for himself. The sheets in this series look critically and often darkly at human weaknesses—here at drunkenness. The sequence was created in Spain under the restoration of Ferdinand VII, whose climate helped shape Goya's pessimistic view.

Impact

The fleeting stroke and physical tension communicate themselves immediately to the viewer; the sheet feels urgent, almost observed. Because colors and shadows are reduced, the conflict between the two figures remains the only event in the image.

Technique

The sheet is executed with brush in carbon black and gray ink applied with wash; scraper marks complete the drawing. This approach allows soft transitions as well as targeted accents and matches Goya's spontaneous drawing manner of those years.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)