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← Goya (Francisco de Goya y Lucientes) Goya (Francisco de Goya y Lucientes) — Plate 41 from 'The Disasters of War' (Los Desastres de La Guerra): 'They escape through the flames' (Escapan entre las llamas)

Plate 41 from 'The Disasters of War' (Los Desastres de La Guerra): 'They escape through the flames' (Escapan entre las llamas)

Original title: Plate 41 from "The Disasters of War" (Los Desastres de La Guerra): 'They escape through the flames' (Escapan entre las llamas)

Artist
Goya (Francisco de Goya y Lucientes)
Date
1810
Medium
Etching, burin (proof impression)
Dimensions
Plate: 6 1/4 × 9 3/16 in. (15.9 × 23.3 cm) Sheet: 8 11/16 × 12 11/16 in. (22 × 32.3 cm)
Credit line
Harris Brisbane Dick Fund, 1932

kurzbeschreibung

This print from 1810 belongs to Goya's series 'The Disasters of War' (Los Desastres de la Guerra). It shows a flight from fire. The etching with drypoint survives as a proof impression, revealing the Spanish artist's expressive linework.

Description

From the right, a large fire advances on a group of people fleeing in panic. A woman in a white dress is supported by a man in dark clothing; another man, also in dark clothes, hurries ahead of them. Other figures are in motion, adding to the dynamism. The greys of the etching create an urgent, dangerous mood, with light and shadow emphasised by the strokes.

Context

Between 1810 and 1820, Goya made the 82 plates of 'Los Desastres de la Guerra' in response to the Napoleonic Wars in Spain and the subsequent famine in Madrid. Publication during his lifetime was impossible for political reasons; the etchings appeared only posthumously in 1863. Plate 41 belongs to a group dealing with the war's effects on civilians.

Impact

The expressive lines and the immediate threat of the flames give the scene a strong emotional urgency. The movement of the figures and the intense play of light and shadow create an almost cinematic dynamism that draws the viewer into the action.

Technique

The etching was executed with drypoint (burin), which allows sharp contours and fine shading. The proof impression demonstrates Goya's precise linework, achieved by biting the lines into the metal plate and then printing onto paper.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)