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Woodblock for Samson Rending the Lion

Original title: Woodblock for Samson Rending the Lion

Artist
Albrecht Dürer
Date
ca. 1497–98
Medium
Pear wood
Dimensions
15 3/8 in. × 11 in. × 1 in. (39.1 × 27.9 × 2.5 cm)
Credit line
Gift of Junius Spencer Morgan, 1919

kurzbeschreibung

This is a woodblock carved by Albrecht Dürer around 1497–98, depicting the biblical scene of Samson wrestling a lion. The block, made of pear wood, was used for printing, and the image shows Samson astride the beast, forcing its jaws apart. The composition emphasizes physical struggle and is a striking example of Dürer's early graphic work.

Description

In the foreground, a large lion lies on the ground, its mouth wide open and body twisting in a dramatic arc. A muscular male figure, Samson, straddles the animal's back, gripping its head with both hands. He has long flowing hair and is rendered with strong, defined muscles. In the background, a city wall with towers and buildings rises on the left, suggesting a settlement on a hillside. The scene is set in a natural landscape with sparse vegetation, and the overall composition is dynamic and tense.

Context

Dürer created this woodblock during his early period as an independent master in Nuremberg, around 1497–98. The subject, Samson tearing the lion, was a popular motif in Christian art, often symbolizing strength and the triumph of good over evil. This block was likely intended for a series of prints, possibly illustrating biblical stories. The use of pear wood was common for fine woodcuts, as it is hard and allows for detailed carving.

Impact

The image conveys raw power and dramatic tension, with the muscular Samson and the writhing lion locked in a struggle. The bold lines and strong contrasts create a sense of immediacy and intensity. The background city adds depth and context, anchoring the scene in a real-world setting.

Technique

The woodblock is carved from pear wood, a material favored for its density and fine grain, which permits intricate cutting. Dürer used a relief printing technique, where the raised areas of the block would be inked and pressed onto paper. The carving shows a high level of skill, with detailed hatching and cross-hatching to model form and shadow.

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Source: Metropolitan Museum of Art · Public domain (CC0)