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← Goya (Francisco de Goya y Lucientes) Goya (Francisco de Goya y Lucientes) — Bullfight in a divided ring

Bullfight in a divided ring

Original title: Bullfight in a divided ring, from the 'Bulls of Bordeaux'

Artist
Goya (Francisco de Goya y Lucientes)
Date
1825
Medium
Lithograph
Dimensions
Sheet: 16 1/2 × 20 9/16 in. (41.9 × 52.2 cm) Plate: 11 5/8 × 16 1/4 in. (29.5 × 41.3 cm)
Credit line
Rogers Fund, 1920

kurzbeschreibung

In this lithograph from 1825, Francisco de Goya y Lucientes places two bulls in a divided arena. Rendered in black and white, the print draws attention to the struggle of the animals in the foreground and to how the spectators respond.

Description

At the front, one bull attacks another. Off to the side stands a man with a staff, most likely a matador, moving in against the bull, while a second man leans against a wall and watches. Behind the fighters, a crowd follows what is happening, some seated, some standing. Further back still, figures with horses can be made out. The arrangement feels restless, stressing the force of the fight and the involvement of the onlookers.

Context

Goya made this lithograph in 1825 during his stay in Bordeaux, where he had withdrawn in 1824 for political reasons. It belongs to the 'Bulls of Bordeaux' series, four lithographs devoted to bullfighting. In taking up a theme deeply rooted in Spain, Goya also turned to lithography, still a young medium at the time, which gave him room to experiment.

Impact

The monochrome sheet and the restless layout make the scene feel immediate and dramatic. Because the fight and the spectators are kept so close together, a tension arises that puts the viewer right in the middle of the action.

Technique

For this lithograph, Goya drew with greasy chalk on a stone and then printed it. The process allowed subtle transitions between black and gray, giving the scene depth and a texture of its own.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)