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← Jakob Mettenleiter Jakob Mettenleiter — Portrait of Helena Fourment, Rubens' second wife, wearing a fur coat over her shoulders (ca. 1786–1815)

Portrait of Helena Fourment, Rubens' second wife, wearing a fur coat over her shoulders (ca. 1786–1815)

Original title: Portrait of Helena Fourment, Rubens' second wife, wearing a fur coat over her shoulders

Artist
Jakob Mettenleiter
Date
ca. 1786–1815
Medium
Stipple engraving
Dimensions
Sheet (Trimmed): 12 15/16 × 8 15/16 in. (32.8 × 22.7 cm)
Credit line
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951

kurzbeschreibung

Between about 1786 and 1815, Jakob Mettenleiter produced this stipple engraving after a painting by Peter Paul Rubens. It shows Helena Fourment, the artist's second wife, within an oval frame, a cloak draped over her shoulders. The print is executed as a stipple engraving on paper.

Description

Inside the oval, the woman stands barefoot on a pedestal. A long black cloak covers her right side, while her left hand gathers the fabric at her waist. Her right hand is crossed in front of her body. Her hair is tied in a knot and adorned with a flower. The uniformly dark background makes the figure stand out; below the oval border one reads the title 'LA FEMME DE RUBENS'.

Context

Helena Fourment became Rubens's second wife in 1630. The painting reproduced here hangs in the Galerie Imp. Roy. à Vienne, today part of the Kunsthistorisches Museum Vienna. Mettenleiter made his engraving in the late 18th or early 19th century, when reproductive prints after famous masterpieces were widely circulated.

Impact

The dark surroundings and the contrast between the black cloak and the pale skin give the portrait an intimate yet solemn note. The oval format and the pose on the pedestal make the reproduction appear sculptural and monumental.

Technique

In stipple engraving, an intaglio technique, the image is formed entirely from the finest dots. Mettenleiter used this method to achieve soft tonal transitions and a detailed copy of the painting. The paper has been trimmed; its dimensions are 32.8 × 22.7 cm.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)