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← Anton Joseph von Prenner Anton Joseph von Prenner — Portrait of Cardinal Infante Ferdinand of Austria (1728, Met-Objekt 1295)

Portrait of Cardinal Infante Ferdinand of Austria (1728, Met-Objekt 1295)

Original title: Portrait of Cardinal Infante Ferdinand of Austria

Artist
Anton Joseph von Prenner
Date
1728
Medium
Etching
Dimensions
Sheet (Trimmed): 9 in. × 6 5/16 in. (22.9 × 16 cm)
Credit line
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951

kurzbeschreibung

Unlike related ruler portraits that typically show the sitter in pure ceremonial armor or ecclesiastical vestments, this etching from 1728 by Anton Joseph von Prenner brings both spheres together. The vertical portrait, measuring 22.9 × 16 cm, presents Cardinal-Infante Ferdinand of Austria in splendid armor with a sword. The etching uses fine lines and hatching to create a monochrome image.

Description

The sitter appears in elaborately decorated armor and a fur hat; his right hand holds a sword, while his left is enclosed in the armor. Behind him is a plain door with ornamental details. Latin inscriptions along the lower edge name the artist and patron. Fine hatching produces the gray tones, and the light falls evenly, avoiding strong shadows.

Context

As both cardinal and military commander, Ferdinand of Austria united spiritual and worldly power, which explains the combination of religious and military iconography. The portrait was made in 1728, an era when engraving and etching were widely used as reproductive media for ruler portraits. Anton Joseph von Prenner worked as an engraver, producing mainly portraits and reproductions after paintings. The Latin inscriptions follow the convention of Baroque portrait prints, recording the identity and rank of the sitter.

Impact

Armor, sword, and the office of cardinal create a dual role of spiritual and worldly authority. The fine hatching technique gives the print a calm, even appearance that emphasizes the sitter's dignity. The plain background directs attention to the detailed rendering of the armor and face.

Technique

This work is an etching, with lines scratched into an acid-resistant ground and then bitten by acid. The fine hatching and monochrome gray scale are characteristic of the process. The sheet has been trimmed, as indicated by 'Sheet (Trimmed)', reducing the original printing margin.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)