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← Francesco Zucchi Francesco Zucchi — Portrait of a Woman with a Lace Collar and a Necklace, Possibly Rubens' Wife

Portrait of a Woman with a Lace Collar and a Necklace, Possibly Rubens' Wife

Original title: Portrait of a woman with a lace collar and a necklace, possibly Rubens' wife

Artist
Francesco Zucchi
Date
ca. 1712–64
Medium
Engraving
Dimensions
Sheet (Trimmed): 8 5/16 × 6 15/16 in. (21.1 × 17.6 cm)
Credit line
Harris Brisbane Dick Fund, 1917

kurzbeschreibung

Francesco Zucchi engraved this portrait of a woman at some point between roughly 1712 and 1764. The subject is often linked to Rubens's wife, though her identity has never been confirmed. She appears with long, wavy hair, a dress with a broad lace collar, and a necklace. The print belongs to the reproductive engraving tradition that was common in the eighteenth century.

Description

Her gaze meets the viewer head-on and holds it. The figure sits at the middle of the sheet, with attention concentrated on face and upper body. An elaborate lace collar and a multi-strand necklace define the costume, and the wavy hair is partly gathered in an ornament. Shades of grey govern the monochrome image, while even lighting picks out contours and the texture of fabric with clarity.

Context

Zucchi, an eighteenth-century Italian engraver, specialized in reproducing paintings. That the sitter is Rubens's wife remains a guess, since the original painting has not survived. Portrait engravings of this kind helped bring well-known artworks to a wider public in the 1700s. The span from about 1712 to 1764 matches Zucchi's working years, when he was active in Venice and other Italian cities.

Impact

The woman's calm, direct look creates an immediate closeness that gives the sheet its life. Clean draughtsmanship and evenly balanced light lend the portrait a composed, dignified mood. Baroque dress and hair ornament evoke a bygone era and give the view its historical appeal.

Technique

An engraving takes shape when lines are cut into a copper plate and then transferred to paper with printing ink. Fine parallel hatching builds up tonal values and models facial features as well as folds of cloth. This particular sheet has been trimmed, which suggests later framing or mounting.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)