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← Simon Gribelin II Simon Gribelin II — An Allegorical Scene Showing the Benefits of James' Reign at Center, Wise Government Trampling Rebellion at Right, and Liberty Trampling Avarice at Left

An Allegorical Scene Showing the Benefits of James' Reign at Center, Wise Government Trampling Rebellion at Right, and Liberty Trampling Avarice at Left

Original title: An allegorical scene showing the benefits of James' reign at center, Wise Government trampling Rebellion at right, and Liberty trampling Avarice at left

Artist
Simon Gribelin II
Date
1720
Medium
Engraving
Dimensions
Sheet (Trimmed): 13 1/16 × 18 5/16 in. (33.1 × 46.5 cm)
Credit line
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951

kurzbeschreibung

In 1720, Simon Gribelin II produced this engraving of King James I seated on a throne, surrounded by embodiments of his reign. The allegorical sheet belongs to the collection of the Metropolitan Museum of Art.

Description

The king occupies the throne at the picture's center, flanked by allegorical figures that stand for different aspects of his rule. On his left, one figure subdues Rebellion, while Liberty presses Avarice to the ground. The setting feels opulent: columns frame the space, and the ceiling bears a painting of angels and floral garlands. Draped in traditional robes, the figures suggest movement through their flowing fabrics. The arrangement is symmetrically focused on the monarch and enclosed by a floral border.

Context

The print dates to 1720, roughly a century after the death of James I, who reigned from 1603 to 1625. It belongs to a series of engravings Gribelin made after paintings by Peter Paul Rubens in the Banqueting House in London. The originals date to the 1630s and glorify James I's rule. Gribelin made these paintings accessible to a wider public that could not enter the royal rooms.

Impact

The symmetrical layout and the king's central position create an impression of order and authority. The precise lines and monochrome execution draw the eye to the narrative details and the allegorical figures.

Technique

The engraving is recognizable by its sharp contours and fine lines. This technique allows for an exact rendering of details and is particularly suited to reproducing complex paintings. The sheet was trimmed to 33.1 × 46.5 cm, reducing its original format.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)