Art Archive

← Schelte Adams à Bolswert Schelte Adams à Bolswert — Diana returning from the chase, accompanied by dogs and her nymphs at left, two satyrs at right (ca. 1640–59)

Diana returning from the chase, accompanied by dogs and her nymphs at left, two satyrs at right (ca. 1640–59)

Original title: Diana returning from the chase, accompanied by dogs and her nymphs at left, two satyrs at right

Artist
Schelte Adams à Bolswert
Date
ca. 1640–59
Medium
Engraving; second state of two (Hollstein)
Dimensions
Sheet (Trimmed): 12 3/8 × 14 1/8 in. (31.5 × 35.8 cm)
Credit line
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951

kurzbeschreibung

Unlike typical hunting scenes that show Diana alone with her retinue, this engraving by Schelte Adams à Bolswert, made around 1640–59, focuses on the goddess after her return from the hunt. She is accompanied by dogs and nymphs on the left, while two satyrs appear on the right with fruits and berries. The print is the second state of two (according to Hollstein).

Description

Diana stands centrally, wearing a garment, holding an arrow and a bundle of birds. To her left, several dogs and nymphs accompany her. On the right, two satyrs hold fruits and berries. Above the figures, a cloudy sky arches. The layout is detailed and realistic; the monochrome design distributes light evenly through fine shading and lines.

Context

Schelte Adams à Bolswert, a 17th-century Dutch engraver, is best known for his reproductions after paintings by Peter Paul Rubens. This print was created in an era when mythological subjects enjoyed great popularity. His style reveals Mannerist influences with emphasized proportions and a dramatic conception of figures.

Impact

The careful linework and rich elaboration of the figures give the print a calm yet lively hunting scene. The even distribution of light and the monochrome tonality create a classical, timeless aesthetic.

Technique

Executed as an engraving in the second state, printed on paper. Incised with a burin into the copper plate, this technique allows precise lines and fine shading that render the texture of fabrics, animals, and fruits before the impression is taken.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)