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← Willem Panneels Willem Panneels — Venus mourning Adonis, who lies on the ground at left with his dogs behind him

Venus mourning Adonis, who lies on the ground at left with his dogs behind him

Original title: Venus mourning Adonis, who lies on the ground at left with his dogs behind him

Artist
Willem Panneels
Date
ca. 1631
Medium
Etching
Dimensions
Sheet (Trimmed): 3 in. × 4 1/4 in. (7.6 × 10.8 cm)
Credit line
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951

kurzbeschreibung

Willem Panneels made the etching 'Venus Mourning Adonis' around 1631. It depicts Venus's lament over the lifeless Adonis, who lies on the ground accompanied by two dogs.

Description

On the right, Venus stands with arms outstretched, as if calling Adonis to the heavens. To the left lies the dead Adonis, two dogs beside him. Trees and a clouded sky form the background. A coat of arms with a star and serpent appears on the right. The figures are drawn with anatomical precision, musculature visible, and light and shadow model the space.

Context

Panneels, a 17th-century Fleming, was a pupil of Peter Paul Rubens. The etching of about 1631 falls in a period when mythological subjects were in demand. It likely derives from a design by Rubens, as Panneels often translated his inventions. The coat of arms with star and serpent suggests a patron or dedication.

Impact

The raised arms and the quiet moment draw the eye to Venus's grief. The clearly guided lines and accurate rendering of the bodies make the scene immediately understandable. The classical structure and realism lend the sheet a timeless calm.

Technique

As an etching, the work belongs to intaglio processes: the drawing is etched into a metal plate, and acid deepens the lines. This produces fine strokes and soft shading, evident in the muscles and background. Panneels used this technique to reproduce the design precisely and in detail.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)