Art Archive

← Michel Dossier Michel Dossier — The Education of the Virgin, with Saint Anne and the Virgin Mary reading with two putti overhead and Saint Joachim behind them at left

The Education of the Virgin, with Saint Anne and the Virgin Mary reading with two putti overhead and Saint Joachim behind them at left

Original title: The education of the Virgin, with Saint Anne and the Virgin Mary reading with two putti overhead and Saint Joachim behind them at left

Artist
Michel Dossier
Date
ca. 1700–50
Medium
Engraving; reverse copy
Dimensions
Sheet (Trimmed): 13 7/8 × 8 7/8 in. (35.3 × 22.6 cm)
Credit line
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951

kurzbeschreibung

The instruction of Mary by her mother Anne unfolds among other figures. Michel Dossier produced this sheet as a reverse engraving, created between about 1700 and 1750. A religious teaching scene with several figures is set within a landscape.

Description

In the foreground, Anne sits on a seat and instructs Mary, who holds a book. To her left stands Saint Joachim with a book in hand. Above the figures, two putti hover, carrying flowers and wreaths. Trees and columns layer the receding space into an idyllic backdrop. The arrangement feels balanced and guides the eye to the interplay of the figures.

Context

The education of Mary was a common subject in Catholic art of the 17th and 18th centuries, especially in France, where Dossier was active. The motif highlights the importance of education and piety in Mary's childhood. As a reverse copy, the print reproduces a model in mirror image—a standard printing practice for disseminating different versions.

Impact

A calm, gathering mood pervades the view, supported by soft light and the balanced arrangement. The figures appear detailed and naturalistic, reinforcing the sacred feeling. The gray tones of the print give the sheet a serious, timeless elegance.

Technique

This sheet was made as an engraving: the image is cut into a copper plate and then pulled onto paper. As a reverse copy, the plate was laid out in mirror image to the model. The gray tones arise from the fine network of lines and the varying depths of the engraving, which produce different values of lightness.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)