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← Schelte Adams à Bolswert Schelte Adams à Bolswert — The Virgin and Christ Child, with Saint John the Baptist Showing Them a Bird at Right, Saint Anne in the Background at Right, and a Putto at Lower Left

The Virgin and Christ Child, with Saint John the Baptist Showing Them a Bird at Right, Saint Anne in the Background at Right, and a Putto at Lower Left

Original title: The Virgin and Christ child, with Saint John the Baptist showing them a bird at right, Saint Anne in the background at right, and a putto at lower left

Artist
Schelte Adams à Bolswert
Date
ca. 1600–59
Medium
Engraving
Dimensions
Sheet (Trimmed): 5 3/16 × 3 9/16 in. (13.2 × 9 cm)
Credit line
Harris Brisbane Dick Fund, 1917

kurzbeschreibung

Created between 1600 and 1659, this engraving by Schelte Adams à Bolswert gathers the Virgin Mary with the Christ Child, Saint Anne, John the Baptist, and a putto into a religious scene brought to life by precise linework.

Description

John the Baptist offers a bird to the Christ Child, while Mary holds the boy on her lap and gazes at him lovingly. To the right, Anne stands with a book and points to the child; at the front left, an angel gestures toward the infant Jesus, and in the lower left a putto bends toward the ground. The layout is balanced, with Mary as the calm center. Each figure's clothing is richly detailed, and light falls evenly across the surface.

Context

Schelte Adams à Bolswert, a seventeenth-century Dutch engraver, was best known for his reproductions after paintings by Flemish masters. In his time, religious subjects were widespread in printmaking and served private devotion or inclusion in collections. This print belongs to the Baroque tradition of rendering biblical narratives with strong emotional expression.

Impact

The dense linework and the quiet, symmetrical arrangement create a contemplative, intimate atmosphere. The tender interaction among the figures draws the eye to the relationship between Mary and the child, conveying spiritual closeness.

Technique

For this engraving, lines were incised into a copper plate so that impressions could then be made. The monochrome rendering with even lighting is characteristic of the process, which uses varying line densities to bring out the finest details and shadows.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)