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← Cornelis Visscher Cornelis Visscher — Portrait of Philip IV, King of Spain, from 'Counts and Countesses of Holland, Zeeland, and West-Frisia'

Portrait of Philip IV, King of Spain, from 'Counts and Countesses of Holland, Zeeland, and West-Frisia'

Original title: Portrait of Philip IV, King of Spain, from 'Counts and Countesses of Holland, Zeeland, and West-Frisia'

Artist
Cornelis Visscher
Date
1650
Medium
Engraving and etching; third state of three (Hollstein)
Dimensions
Sheet (Trimmed): 15 15/16 × 11 3/4 in. (40.5 × 29.9 cm)
Credit line
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951

kurzbeschreibung

Cornelis Visscher presents the Spanish king Philip IV in a representational Baroque pose. The print was made in 1650 as an etching and engraving and survives here in the third of three states.

Description

Philip IV appears centered and symmetrical, crowned with a floral-decorated head. His short, wavy hair, prominent curled mustache, and beard are rendered with great precision. The king wears a splendid gold-embroidered armor and a high white collar, beneath which another gold-adorned collar is visible. The dark background pushes the finely executed lines of crown and armor to the fore.

Context

This portrait belongs to a series on the counts and countesses of Holland, Zeeland, and West Frisia, which circulated widely in the seventeenth-century Netherlands. Including Philip IV in this series is unusual, since the Spanish king was then ruler of the southern Netherlands. Visscher, a Dutch engraver, produced the work during the Eighty Years' War, when the Netherlands fought against Spanish overlordship.

Impact

The symmetrical layout and clear linework give the portrait a dignified, almost ceremonial presence. The precise rendering of crown and armor underscores royal authority, while the even distribution of light creates a calm, detached mood.

Technique

The print combines etching and engraving, evident in the sharp, distinct lines and subtle shading. It was printed in the third of three states, suggesting careful reworking of the plate. Execution in black and white without visible shadows is characteristic of this technique.

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Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)