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Drunkenness of Bacchus

Original title: Drunkeness of Bacchus

Artist
Peter Paul Rubens
Date
1630–57
Medium
Engraving and etching; first state of four (Hollstein)
Dimensions
Sheet (Trimmed): 11 5/8 × 13 9/16 in. (29.6 × 34.4 cm)
Credit line
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951

kurzbeschreibung

Peter Paul Rubens's engraving and etching Trunkenheit des Bacchus was made between 1630 and 1657. This black-and-white print uses dense lines and graded shadows to present a turbulent event with powerful male bodies, female figures, and a leopard.

Description

In the foreground, two barefoot, strongly built men grapple: one swings a long, sickle-shaped object while the other parries. A third muscular man, wearing a crown, stands nearby. Further back are two crowned female figures, one holding a band or ribbon. On the ground lie a leopard-like animal, grapes, and leaves; trees and a clouded sky close the view.

Context

In his late phase, Rubens devoted himself more intensely to printmaking. The mythological motif of Bacchus was widespread in the Baroque. The print was produced with engravers who reproduced paintings and designs by Rubens.

Impact

The crowded arrangement of figures and harsh light-dark contrasts give the sheet a dramatic, almost stage-like tension. Precise linework directs the eye to the physical struggle and the wine god's attributes.

Technique

Engraving and etching are combined here, allowing fine lines and deep shadows. This is the first of four states, indicating thorough reworking of the plate.

AI-generated description text

Source: Metropolitan Museum of Art · Public Domain (CC0 1.0)