Theodor van Kessel
Theodor van Kessel belongs to the seventeenth-century Dutch tradition of printmaking, working above all in etching and engraving and turning to allegorical subjects drawn from classical mythology. His Allegory of abundance, with Ceres and Pomona flanking a fruit-fed monkey, typifies this interest in personification and symbolic still life. The archive holds a single sheet by him, dated 1652, and impressions up to that year document his activity as a printmaker within this period.
1 works in the collection · All public domain (CC0)