Pierre Alexandre Aveline
Pierre Alexandre Aveline belongs to the French Rococo printmaking tradition, working above all as an etcher and engraver and turning his burin to lively figural subjects — putti, groups of children and mythological scenes such as the Feast of Bacchus. The sheets gathered here reveal how consistently he paired etching with engraving, with the two techniques combined in nearly every impression. This archive holds nineteen of his prints, among them the Frontispiece and plates from the First Book of Groups of Children, with impressions dated between 1727 and 1750.
19 works in the collection · All public domain (CC0)
Trois Amours dont un tient une flèche (Three Loves, one of which holds an arrow), from Premiere Livre de Groupes d'Enfans (First Book of Groups of Children)
· Etching and engraving
Trois Amours soutenant une draperie (Three Loves Holding a Drapery), from Premier Livre de Groupes d'Enfans (First Book of Groups of Children)
· Etching and engraving
Fourth Book of Groups of Children
· Etching and engraving
Frontispiece (1727–60)
1727–60 · Etching and engraving
Three Loves, one of which is seated, holding a quiver
1727–60 · Etching and engraving
Two Cupids, One Carrying a Torch, Another a Bow
1727–60 · Etching and engraving
Naiades, Tritons and the Bath of Priap
1736 · Etching and engraving
Air, from The Four Elements
1738–49 · Etching and engraving
Fire, from The Four Elements
1738–49 · Etching and engraving
Water, from The Four Elements
1738–49 · Etching and engraving
Earth, from The Four Elements
1738–49 · Etching and engraving
Children playing
1750 · Etching and engraving
Sancho Pursued by the Kitchen Boys of the Duke
18th century · Etching and engraving
Two Sleeping Children With Three Sheep
18th century · Etching and engraving
The Feast of Bacchus
ca. 1738 · Etching and engraving
The Return from the Hunt
ca. 1738 · Etching and engraving
Children Fishing
ca. 1738 · Etching and Engraving
The Seesaw
ca. 1738 · Etching and engraving
The Fire
ca. 1740 · Etching and engraving