Art Archive

Anton Raphael Mengs

Anton Raphael Mengs, a leading figure of Neoclassical painting, worked across oil, chalk, and ink to depict religious subjects, portraits, and studies of the nude. His drawings and paintings in this archive trace a career shaped by close study of the antique and of Old Masters, from the Holy Family to Johann Joachim Winckelmann. The collection gathers nine works, including oils on canvas, red and black chalk drawings with white heightening and brown wash, a pen-and-brown-ink sheet squared for transfer, and one ivory piece, with dates assigned by the Met running from 1754 to 1777 and impressions up to that year.

9 works in the collection · All public domain (CC0)

Anton Raphael Mengs — The Vision of Saint Anthony of Padua
The Vision of Saint Anthony of Padua
· Ivory
Anton Raphael Mengs — The Triumph of History over Time
The Triumph of History over Time
1771–75 (?) · Black and white chalk, on blue paper
Anton Raphael Mengs — Self-Portrait (1776)
Self-Portrait (1776)
1776 · Oil on canvas
Anton Raphael Mengs — Pleasure
Pleasure
ca. 1754 · Pastel on paper, laid down on canvas
Anton Raphael Mengs — Oedipus before the Temple of the Furies between his Daughters Antigone and Ismene
Oedipus before the Temple of the Furies between his Daughters Antigone and Ismene
ca. 1760–61 · Pen and brown ink, bown wash, heightened with white gouache, over graphite
Anton Raphael Mengs — Johann Joachim Winckelmann (1717–1768)
Johann Joachim Winckelmann (1717–1768)
ca. 1777 · Oil on canvas
Anton Raphael Mengs — Holy Family with St. John the Baptist
Holy Family with St. John the Baptist
mid-18th century · Pen and brown ink, squared for transfer in black chalk
Anton Raphael Mengs — Rest on the Flight into Egypt (mid-18th–late 18th century)
Rest on the Flight into Egypt (mid-18th–late 18th century)
mid-18th–late 18th century · Red chalk, graphite; squared in graphite
Anton Raphael Mengs — Seated Nude Male
Seated Nude Male
n.d. · Black chalk, heightening with white, brown wash (?), on gray-brown paper