Antoine Sallaert
Antoine Sallaert belongs to the circle of early seventeenth-century Flemish artists whose work centres on religious and historical subjects rendered in print. His surviving sheets are executed in monotype, a technique that lends each impression a distinctly painterly, unrepeatable character. The archive holds a single example of his work, dated by the Met to 1620, namely The Consecration of Decius Mus. As impressions up to that year, it offers a compact point of entry into Sallaert's brief printmaking output.
1 works in the collection · All public domain (CC0)
